The article examines the nature of the assimilation and transformation of the Pushkin literary tradition in the friendly messages of V.S. Solovyov. Based on the works of V.A. Grekhniov, the author analyzes the poetics of Solovyov's "serious" and comic friendly messages and correlates it with the artistic features of A.S. Pushkin's works of the corresponding genre. It is concluded that the organization of Solovyov's poetic texts allows us to speak about the closeness of the two authors' ideas about the fundamental genre features of the friendly message. Solovyov's "serious" friendly messages are quite far from the tradition of the Russian romantic message of the beginning 22 of the XIX century. They can be correlated rather with lyrical poems directed to the addressee. However, in the comic versions of this genre, Solovyov mainly continued the tradition of Pushkin's friendly message. This is evidenced by the object of the image, lyrical hero and addressee, key images, composition of texts, the peculiarities of the use of irony, rhythm, polyphonism. At the same time, Solovyov's works were characterized by a different chronotope than that is characteristic of the poetics of Pushkin's friendly message. All this allows us to assert that the genre form of a friendly message, assuming maximum thematic freedom, inner openness, emphasized intimacy, representing poet and his lyrical hero "at home", through a heart-to-heart conversation with loved ones, turned out to be extremely interesting to Solovyov-the poet. At the same time, he focused primarily on the classic example of a romantic friendly message, in particular, on the friendly messages of A.S. Pushkin, correcting separate genre features in accordance with artistic trends and needs of his era
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