The question of the influence of the aesthetics of sound formed in the poetic texts of A.S. Pushkin on the speech hearing of subsequent generations - both readers and writers - is considered. All the basic principles of the aesthetic organization of poetic speech, which later became a kind of reference point, a standard of beauty of the sound of the Russian syllable, are embodied in Pushkin's work: the euphony of speech due to the predominance of musical sounds (vowels and sonors); sound roll call in the words that make up the phrase; sound clips between adjacent verses; playing random sound similarity; the functional significance of a word of a certain sound (the choice of a word in favor of sound, rather than lexical meaning). Based on the material of the poet's drafts, it is noted that the text was edited in the direction of euphony, musicality of speech, intentional play with sounds. The peculiarity in the sound of the word often determined the choice of the poet, sometimes even to the detriment of factual accuracy, which Pushkin himself explained using the concept of poetic. Pushkin's poetic heritage demonstrates the aesthetic intrinsic value of sound as one of the components of the artistic meaning of the text and a condition for the integrity of the poetic work. The harmonious combinations of sounds assimilated by our hearing, their certain selection and repetition in our consciousness are imprinted in the form of reference, exemplary, and when perceiving, reading all subsequent texts of Pushkin and other authors who somehow also went through this experience, as well as - in the case of writers and poets - when creating their texts, mentally, we are guided by already established aesthetic ideas.
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