The article deals with specific cases of V.A. Sosnora's appeal to fairy-tale motifs and images in the poetic collection "Horsemen". The object of the study are the poems "The Last Songs of Boyan", "There was a gooseberry ...", "The First Prayer to Magdalene", in which the appeal to fairy-tale elements is not organizing the entire text, but allows you to bring additional meanings and significantly enrich the work. The research potential of the article is expanded by involving the poem "The Legend that I was told ...", the basis of the figurative system of which is based on images of mermaids, widely represented not only in Russian folklore, but also in the folklore of other peoples. The poem "Freckle-Ugly" is subjected to an extended and detailed analysis, since it was created based on the genre of a fairy tale. The work consists of six separate poems connected by a single plot that has a fairy-tale basis. The subject of study are the elements in which V.A. Sosnora follows the genre canons of the fairy tale, as well as those in which the author consciously departs from them. In each case, a working hypothesis is put forward to explain these deviations. Special attention is paid to the system of images, chronotope, plot, functions of the heroes of the fairy tale and the poem by V.A. Sosnora. The article demonstrates the importance of folklore elements in the poet's creative world, as evidenced by the frequency of reference to folklore material and the creative processing to which V.A. Sosnora subjects him, passing through his personal worldview. The article uses cultural-historical, mythological, descriptive-functional, comparative-comparative, psychological and formal research methods.
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