SPEECH ORGANIZATION OF VALERY GAVRILIN’S SYMPHONY-ACTION "CHIMES" |
| 2 | |
| 2024 |
| scientific article | 82-293 | ||
| 42-65 | В. Гаврилин, симфония-действо «Перезвоны», фольклор, синкретизм, диалог, хор, молитва, V. Gavrilin, symphony-action "Chimes", folklore, syncretism, dialogue, choir, praye |
| The article offers to consider the Valery Gavrilin's (1939-1999) sym-phony-action "Chimes" as a unity of musical and verbal text, as well as varia-tions of the performance of the work by different Russian collectives. The ar-ticle raises the question about the composition and meaning of the work, the unity and sequence of its parts, their nature depending on the position in the 65 general cycle. The analysis of the text of the symphony-action is carried out, the idea of the adequacy of understanding the author's idea is confirmed only in the case of a full-fledged reception of the verbal text of the work. A con-noisseur and passionate admirer of folk art, Valery Gavrilin refused to literally reproduce folklore texts and melodies and created an original work in which folklore became the basis and source of inspiration for the composer. The in-clusion of the symphony in the literary field is set by the author himself: the name of Vasily Shukshin appears on the title page of the score of "Chimes", and the breadth of the presented realities and impressions of the Russian pic-ture of the world correlates with the artistic world of the works of the writer - contemporary and like-minded composer. |
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